Robocop: Director's Cut [Blu-ray]

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RoboCop Edited-for-Television (HD, 95 min): Presented in a 4:3 aspect ratio, the specs reveal that this version arrives in the HEVC encode with 10-bit color, but it is nonetheless limited to 1080p HD in the Rec.709 color gamut at 60fps. The MPAA especially did not approve of the gory presentation of the prototype ED-209 and Murphys execution. the bloodiest shots were cut out of the first scene and a lot of alternative footage was used in the other - only the DC shows Murphy loosing an arm in the gunfire. On top of that, alternative footage has been used for the car chase at the beginning as well as in the finale. his revenge. The same plot could be (and has been) a Western, a gangster tale or a Death Wish-style vigilante film. But in Ed Neumaier's and Michael Miner's innovative script, the

The most interesting inclusion here would probably be the television version of the film, presented here in its entirety. It runs about 95-minutes and cuts out most of the graphic violence, even using alternate angles and shots to hide the violence. The foul language is also dubbed out (badly) and it’s about as effective as you would expect. It’s been sourced from a video and is presented in 1.33:1 (naturally) but it doesn’t look too bad all things considered. RoboProps, a newly filmed tour of super-fan Julien Dumont's collection of original props and memorabilia

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We get the best of both worlds. Onboard computer assisted memory and a lifetime of on the street law enforcement programming.

Robert De Niro Slams Apple And Gotham Awards For Censoring His Anti-Trump Remarks: "How Dare They Do That" Shots of Bob Morton and two whores sniffing cocaine is no more (along with a bunch of funny dialogue). The DC shows Clarence and his men longer and he already steps to the side before a different shot of Murphy is shown in which we see his bloody stump.Ok, i’m biased - Robocop was one of the first 18/R rated films that I ever saw, and has remained in my personal top 10 all-time favourite movies ever since. A defining moment in 80 cinema, the movie is a timeless classic of action and gore while philosophising what it is to be human, even if that humanity has supposedly been stripped away. For this UHD edition, Arrow Video ports over the same outstanding collection of supplements as their 2019 Blu-ray release and spread across both UHD discs. When Murphy is in his comatose state, and then operated on by the tech boffins so that he can be reborn in robo-evolutionary form, there are some great point-of-view scenes as the white coated people peer callously down into this face. Then, of course, there are Murphy’s agonised memories of his own near-death, and of his wife and child, which the scientists have not been able to erase.

The Boardroom: Storyboard with Commentary from Animator Phil Tippett does what it says on the tin. We see the gory glitch of the ED-209 in slow motion with an inset of SBs whilst Tippett takes us through the techniques utilised to make it all happen. The image is 1.85:1 and it’s encode comes courtesy of AVC. The grain that has always been there in the past remains marvellously and substantially gritty and textured. Occasional shots spike very obviously, and these tend to hail from the extended instances of violence and gore reinstated in the Director’s Cut. The film has tended to look dry and dirty in the past, but this transfer does seem cleaner and sharper without sacrificing any of that hallmark roughness. pertinent questions raised about profits vs. public service, and there's a lot going on in a taut 103 Arrow then gets a couple of more interviews with members of the crew, first with casting director Julie Selzer and then with second unit director Mark Goldblatt, running 8-minutes and 11-minutes respectively. Selzer talks about the casting challenges that came up (like finding an actor with the perfect cheekbones for the role of RoboCop) and the joy of casting against type (the sweet-in-real-life Kurtwood Smith and Ronny Cox as a villains, Miguel Ferrer as an executive, etc.) I was also rather fascinated by Goldblatt’s participation, who explains in detail his duties as a second unit director (which includes channeling the director, not go off and do your own thing) and what shots he was responsible for. Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 and Dolby Atmos surround sound options on both cutsStream It Or Skip It: ‘Leo’ on Netflix, in Which Adam Sandler Voices a Lizard Who's Also a Child Psychologist